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Here it is: Newsstand Momento Mori, The Magazine Work of Richard Avedon & Diane Arbus
NB: I do not have permissions to reproduce the photographs in the document. Fair dealing?
Photo: A very young Anderson Cooper by Diane Arbus
Pretentious? Moi?
commissioned by the Steve Nash Foundation in 2007 and were created by 16 artists under the direction of Milan Basic.can be found on the Georgia Straight website.
"Discovering the vast, forgotten collection prompted guest curator Poliquin—a Vancouverite fresh out of a post-doctoral history fellowship at M.I.T. who’s also writing a book called Taxidermy and Longing—to mount a decidedly contemporary show that would raise the kinds of questions she had about the practice. “I grew up in Vancouver and I never knew this taxidermy collection existed. And I think it’s a wonderful allegory for taxidermy itself: it was hidden away not because people hated it so much but because they were not sure about it,” she explains. “Hopefully, this show allows people to think about it. Taxidermy is no longer something just to look at but to think about.”The exhibit will inspire questions, and maybe extreme emotions. Either way, an interesting, off-the-beaten path way to spend a Sunday afternoon.
"Exploring the bowels of the institution, where the animals and birds were carefully lined up on shelves, all packaged in blue boxes with clear plastic coverings, Poliquin admits she felt emotional. “There were just rows and rows of these little animals. I think it’s sad to ignore these creatures once you’ve made them your responsibility,” she says. “There’s hardly any information now about them and who they came from and how they got here.”"
"...over the years, Pixar has made a number of films which return again and again to the anxiety of familial dissolution. Monsters, Inc. does this through the small family unit of Scully and Boo; Finding Nemo is about a father's inability to let his son go; in Up, an old man learns to live after his wife's death. In the (unfortunately) much-maligned Cars, the modern world's loss of small communities (exemplified by Radiator Springs) is a tragedy, and the film (despite the restoration of the community at the end) is mostly a lament for lost values. None of these films may be overtly political, but the moral message is innate: The family (or small community) is central, and it is failing, so we must do what we can to preserve it."This essay is very good.
Predicting that something is going to fail before it’s even launched is like betting against the future: easy to do, but likely to end in embarrassment.